Similar in creation to Endless fusing analog cassette tape loop with Pure Data patch. This one I'm playing real time violin and manipulating in Pure Data. Like to thank Amulets (https://www.amuletsmusic.com) for some recent inspiration. This…
Of late I've been going through a fascination with cassette tape. Really it started in 2019 when I released a Bandcamp release of mine on a physical cassette tape which is available at the link below. That said I've been inspired by Randall…
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
Short violin phrases played then manipulated in process in conjunction with a filtered noise floor, variable oscillator and a voice sample, all mixed live in my Pure Data patch, this one inspired by tape looping. Created for Phase 2 of Sound…
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Love that Darryl! really nice melancholy melody in there is like an undercurrent and the hiphop/tribal vibe around it. Very cool! I now realize this was where the really cool evolution came in Kaviin's remix of you, me and Bill! Good piece sir!
Kavin really nice evolution in that and as Bill put i, 'what sound-in is about'! Steve's mixes were so much a part of an event and I miss them. It's nice of you do produce one time to time, this one no less!
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
Awesome detail Jim that occasionally has a frequency simulating vibration of the iPhone alert! Like the pixel like top voice that is waltzing in random.
Female vocal with cello section in Pythagorean tuning
Public Domain poem from T.S. Eliot
III
You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images…
Another three-track piece, with just the central voice (and in this case it actually is voice) being effected by the EHX Voice Box in vocoder mode. The other two parts are just straight sounds from a Roland SE02. Submitted to Sound-In "Strange…
existential dread has hit my soul
weigh me down like a lump of coal
or the monkey on my back burning fossil fuel
it's getting harder to keep cool
keep on acting like everything's fine
that dog in his burning house
crossing the line, break…
wild set of of introspective lyrics and surprise entry in the music mix Kav - somewhere between beat poetry and lo-fi hip hop! Well done and new turf for you!
Your left side rhythmic intricacy is the Dali in the glue here - little skitch as it should be in starting then grows intense to catch your knarly lead wave Kavin!
Comments on jimgoodinmusic's stuff
Crazy cool
wow-- just intense this is--
this has some interesting turns going on and looping too.-- so this was a physical thing with tapes. -- great. lots of work here /// I might make things like this with my tape collection after I have them digitized I guess--
I never know what to say on these... except "interesting listen"... And this one was... I've also discovered they make a good soundtrack to working at home... not what I was expecting at all!
Not sure what is going on, but your tracks definitely sound interesting
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
Somehow this is a perfect representation of how "noisy" our daily lives are, and how the cacophony seems almost normal.... Cool stuff here
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
nice stuff. here.
Eeriest of eeriest!
yes Sonic-Pi.net is great I am just working with the examples they have and adding to that.. in the coding.. it is .. really great the things.. and the random possibilities that are there.--
Very interesting... just searched Sonic Pi... VERY interesting.
Always pleasantly surprised by the imagery your music creates for me. love this.
It certainly is an interesting experience in the head phones!
Excellent! This track is screaming for visualization.
Excellent work
Yeah...still a fan! This is very interesting.
Comments made by jimgoodinmusic
Feels like blasting off to 'Lost in Space' and lovely when the electric piano like keys come in!
That's awesome! What a reflective space Kavin!
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Love that Darryl! really nice melancholy melody in there is like an undercurrent and the hiphop/tribal vibe around it. Very cool! I now realize this was where the really cool evolution came in Kaviin's remix of you, me and Bill! Good piece sir!
Kavin really nice evolution in that and as Bill put i, 'what sound-in is about'! Steve's mixes were so much a part of an event and I miss them. It's nice of you do produce one time to time, this one no less!
Abstract and ghostly.
Awesome detail Jim that occasionally has a frequency simulating vibration of the iPhone alert! Like the pixel like top voice that is waltzing in random.
Soaring loveliness with Karen Carpentet likeness on top!
This is really nice Kavin. Soaring main lead over evolving groove on bass synth. Alluring development.
Stop making sense feels like!
Dig! Like the bass synth voice to my ears in this though maybe something else. It’s a pulse!
wild set of of introspective lyrics and surprise entry in the music mix Kav - somewhere between beat poetry and lo-fi hip hop! Well done and new turf for you!
the other side of quiet - speaks of Bill, lovely Ben!
like the hammer like groove from @1.30 in and the evolve about a minute later with the synth squelches and such. Bass sounds strong there K!
Something like the orchestration of German early 20th century and sophistication of an intricate puzzle Bill. Well done!
Your left side rhythmic intricacy is the Dali in the glue here - little skitch as it should be in starting then grows intense to catch your knarly lead wave Kavin!
Something to hear, amazing the times, what he did, thanks for documenting and doing something with Bill!
lots of mystery and imagery - intrigued with the name!
Pretty awesome! The tabla like percussion hits in beginning are really defining with the voice and mix. Grows cool!
like the pulse on this one as well