vaisvil

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Strat with 12th fret capo, Mood
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Strat, Mood
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paul stretch, Mood, Strat, 2 tracks
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Electroharmonix vocoder, Hydrasynth, guitar, bass, pan drum samples
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Equator 2 x2, Roli Rise 49
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coelocanth's avatar
from the monthly Grackle Live Straw Drawing improv jam Darrin,guitar Mark,bass Robert,bass Matt,drums, Ken,guitar Shane.vocal Rek,guitar
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Strat with 12th fret capo, Mood
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JS Tolar's avatar
An experiment with Damage 2. It was going to be part of a larger album but didn't make the cut. It's a song about the subtle experiences we all have and somehow connect with each other in one way or another. The song is more about that connection…
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Equator 2 x2, Roli Rise 49
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Electroharmonix vocoder, Hydrasynth, guitar, bass, pan drum samples
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JS Tolar's avatar
An experiment with Damage 2. It was going to be part of a larger album but didn't make the cut. It's a song about the subtle experiences we all have and somehow connect with each other in one way or another. The song is more about that connection…
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coelocanth's avatar
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
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Inspiration was seeing Kavin Allenson's pictures from his jam in the Fort Worth sculpture Vortex. I wasn't going to do in Pure Data but I opened PD to setup a base structure of oscillators to use to tune one of my modules. I got a stuck note…
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Syntakt Octatrack Analog Keys
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Latest Comments

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Strat, Mood
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Newbold said

Wow 🤯😳😲

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Strat with 12th fret capo, Mood
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Newbold said

Excellent pretty ☺️ the stereo separation is the best 🙂... It's good 💯😊

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Equator 2 x2, Roli Rise 49
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Newbold said

I'm going to need more of a clue than what you have typed to explain the song??

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all of this came from Live.
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jimgoodinmusic said

Feels like blasting off to 'Lost in Space' and lovely when the electric piano like keys come in!

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Bass with Live effects
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Newbold said

it is a kinda march too ---

vaisvil's avatar

The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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