vaisvil

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Latest Music

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Linnstrument, VST Quanta with aeolian harp sample and vst Continua
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In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw…read more
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Linnstrument, Prophet 12 desk module, izotope breaktweaker and effects.
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a composition in 10 edo performed serially on an Linnstrument using 4 x uhe Brazille, sonicculture Morpheus and Bandlab Cakewalk Sonar (free) using Sonar’s drum replacer
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guitar, guitar, bass, drums, and T-Mobile.
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Breaking Light's avatar
Flying cars, robot maids The promises science fiction made Bases on the moon, vacation on Mars I don't think we'll reach the stars Is the human race almost through? I long for tomorrows we never knew Mark Cook-Warr guitar
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vaisvil's avatar
Linnstrument, VST Quanta with aeolian harp sample and vst Continua
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vaisvil's avatar
In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw…read more
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Linnstrument, Prophet 12 desk module, izotope breaktweaker and effects.
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jimgoodinmusic's avatar
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…read more
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Recent Favorites

erocnet's avatar
Source: Guitar
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jimgoodinmusic's avatar
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…read more
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Breaking Light's avatar
welcome to 2020 yawl
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erocnet's avatar
Source: Keyboard, samples
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jimgoodinmusic's avatar
A remix of works by Bill Newbold, Chris Vaisvil, Roger Sundström, Paul H Muller and Jim Goodin. Mix by Jim Goodin. Created for Sound-In Event.
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Latest Comments

vaisvil's avatar
In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw…read more
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Bethan Mathis's avatar
Bethan Mathis said

And too young to die . Thought provoking, conscience pricking.

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a composed piece for brass in 17 edo
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newbold's avatar
newbold said

nice.. liking the brass .. going on.. — it is fun to do things like this,, -

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When AI can tell a believable story...
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newbold's avatar
newbold said

super spreading low synth.. can you ask AI where it comes from?

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5 tracks of 17 edo guitar
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Dale Houstman's avatar
Dale Houstman said

Love the layered lusciousness. Gorgeous.

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5 tracks of 17 edo guitar
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Sound-In's avatar
Sound-In said

Frippishly Beautiful

vaisvil's avatar

The question of how microtonality is perceived and why is a hotly debated one. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. 12 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can’t play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

from I think it would be a good idea. Mahatma Gandhi, when asked what he thought of Western civilization, AQ

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