b3nny's listening history

üiv's avatar
"CASA 400" is a lovely hotel in Amsterdam where I stayed last summer (2011).
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üiv's avatar
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Mr Sandbags's avatar
Made with the Boité Diabolique playing some piano and cello samples. I did a bit of hand editing in Live and then added some light compression, reverb, and limiting.
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b3nny's avatar
paranoia, misanthropy, distrust and maybe even a shred of hope.
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vaisvil's avatar
This is a composition for Jazz Quartet – Tenor Sax (sorry for the unrealistic stray notes), fretless bass, piano, and drums. All but the drums were preformed on my Fender Mustang + GR-20 retuned on the fly by Fractal Tune Smithy. The tuning…
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vaisvil's avatar
This is a composition for Jazz Quartet – Tenor Sax (sorry for the unrealistic stray notes), fretless bass, piano, and drums. All but the drums were preformed on my Fender Mustang + GR-20 retuned on the fly by Fractal Tune Smithy. The tuning…
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Mr Sandbags's avatar
Another one from my ambient crackpot series. This features two instances of my new instrument the Novaphone 340 Imperial. A grand name for a grand instrument (Xylo just didn't do it justice). The first Novaphone is playing three samples…
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mmi's avatar
Sometime yesterday, sandbags posted "In the Ocean of Night". Fuelled by a lovely walk and some pints, I was inspired to make some additions. Technical/process details: Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
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Mr Sandbags's avatar
This is the first real "thing" I've created using [MetaSynth](http://www.uisoftware.com/MetaSynth/index.php) as I go through the extensive tutorials. This was the result of (somewhat haphazardly) drawing & sculpting pixels in the ImageSynth…
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Mr Sandbags's avatar
Another experiment with MetaSynth this time taking a single bowed waterphone sample and running it through the Spectrum Synth. I then experimented with the tempo (spectral timestretching), interpolation settings, and applying formant filters to…
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